7/14/2023 0 Comments Leeming lut one![]() ![]() Let me check, when I did it, I noticed that all of the "basic correction" exposure values didn't change, so I just assumed it didn't do anything. Maybe apply only Leeming and nothing else (or maybe just lift exposure if blacks are too dark)? I've tested it only once or twice and the results haven't been good. I read the description in YouTube and you mention that you hit the "auto" button in Premiere. It's not even just the darkest bits, it's all the large dark areas. If you take screenshot of that YouTube video and check it for example in Photoshop with eyedropper tool, you can see that RGB values of the dark areas are 000, so there is absolutely no information left. I can share an actual graded version, but that was not intent here. Now, if I went to grade the footage from here and the blacks were actually crushed (and they are not), then I would balance the exposure down a bit and give up some highlight detail. If you had perfect blacks at this stage with a high dynamic scene, there is no way hell you have protected your highlights, which the whole point of the Leeming LUT's. The important thing being that from that point grade it as per my customer, my own preferences, etc. My point of this post though was to not do anything like that, that in interpretive, like a color grade would be, so instead picked something that was just a starting point. Now you just adjust the exposure, saturation, and contrast to taste and/or use a creative LUT. In most (but not all) cases, this results in the image “appearing” to be darker, but it’s not affecting anything, nor clipping anything, nor adding additional noise that wasn’t in the shot to begin with. If you've ever used any of the Leeming corrective LUT's, they correct the manufacturer luma curves to be linear. For each clip I provide all of the details of the shot (camera, lens, all exposure settings, codec, gamma, gamut, frame rate, file size, size per second of video, etc.īlacks are totally crushed in grade, doesn't look good. I will get back out there and next get the higher quality 4K/120fps and HD/240fps as well as RAW.īut in this video, you will see 4K XAVC S-I 24fps and 60fps, 4k XAVC HS 120fps, and 4K XAVC S 120fps from 100mbps to 600mbps the first two with audio. ![]() This also kept from using my Ninja V and getting some RAW because I only had a 14" hdmi cable and couldn't hold it and the tripod and the slider together. Was able to somewhat hold up the tripod with the slider on it to do dolly out and slides, but it was very sketchy. ![]() On my monitor the vimeo image looks better, it seems to have more details in the white water section.īesides not having my longer HDMI cable packed (missing out on RAW footage), I also broke the 75mm spider of my trusty Induro GIT304L, which ended my ability to use my motorized Jib/pan/tilt setup, and had to revert to the much lighter slider. I don't have a CFast card yet, so this is limited to v90, and had issues with gear and couldn't get RAW this time (well add both RAW and the higher options once I get my CFast card. I exported 2 different 4K versions of this, one best for Vimeo and one best for YouTube. ![]()
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